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CHAPTER 1, Part 5
The Beginning
| Part 2 | Part
3 | Part 4
Part 5 | Part 6
Jessie was both attracted and repelled by this man. In her current frame
of mind it was a relief to find anything attractive about any man. Probably
the stories she had heard, the healing stuff, influenced her perceptions.
He was also handsome and more masculine than a leather tobacco pouch.
Now, sitting in his truck she had studied him; the fade of his jeans,
and that they were clean; the deep brown of his heavily oiled boots; his
leannessno part of his belly hung over his belt; and his smart-looking
khaki shirt.
Now watching him ride in a bulky overcoat, his hat cocked low, leaning
into the wind, he looked like a vision from the old West. After a couple
of hundred yards, Jessie and Claudie drove up to a barbed wire fence.
They got out and walked to where Kier knelt over tracks in the snow. The
flakes were beginning to dance and swirl. Drifts were deepening.
"I doubt she crossed this fence. So she was probably shunted to the far
corner," Claudie said.
"Yup." Kier followed the tracks down the fence line. "Damn."
He knelt again at a muddy spot where the snow mixed with soil. There was
a cougar track right amongst the mare's hoofprints. A splotch of blood
had congealed on the snow.
"He's still after her."
Kier opened a compartment on the truck and removed a large canvas bag,
which he handed to Jessie. Grabbing the saddle horn, he vaulted onto the
horse and, in one smooth motion, snatched back his medical bag.
"Catch up with me," he said, leaving at a dead run.
Jessie and Claudie didn't have to drive far. Around the next stand of
trees, Jessie saw Kier in the distance, standing next to his mount, watching
the silver-gray mare against the fence. Coming right to the foot of the
mountain, the oak-dotted pasture made a natural funnel defined by the
terrain. The cattle scattered in response to the activity, then banded
together in the far corner of the pasture, perhaps smelling the blood
or the big cat.
Kier left his medical bag by a lone oak, then swung out of the saddle
and hung from the side of his horse with one foot in the stirrup, his
body facing his mount's rear. From what she could tell, Kier was approaching
the mare while leading the other horse. The wounded mare tossed her head
and began moving away down the fence.
Kier stopped.
As they neared the scene Jessie could see the lather and blood covering
the panicked Dawn. Nostrils flaring, the horse panted wildly, intermittently
making a high-pitched, squealing noise. Jessie could even see the newborn
colt beginning to emerge, a dark spot that appeared to be the colt's forelegs.
Kier waved at Jessie to stop the truck.
Now Jessie saw the blood on the mare's flanks and a horrible wound on
her nose. On her belly a deep, bloody furrow ran between many smaller
gashes. Jessie gasped. What looked like greenish viscera protruded from
the deeper belly wounds. Blood dripped thickly from more places than she
could count.
At the oak tree, the women climbed out of the truck, watching, riveted
to the delicate dance before them. Every time Kier's horse stepped toward
the mare, the wounded creature would begin moving up the fence.
"It looks bad," Jessie said.
"It's worse than that," Claudie said. "From what I can see, the cat grabbed
her nose with his paw, sank his teeth in her neck, raked her flank. I
think she's lost a lot of blood."
Jessie suddenly realized why Kier was hanging off his horse: By doing
so, he remained almost invisible to the wounded mare. Guiding the two
horses to the mare's left side, Kier stopped them along the fence a good
thirty feet from her. He steadied the two horses, now skittish at the
smell of blood, and kept them tight together.
Still the mare sidestepped away.
Kier moved the two horses again at least ten feet back, giving Dawn even
more room. The mare still tossed her head, but this time she took a few
nervous steps toward them. Kier remained stock-still, stuck to the side
of his horse. Again the mare came toward them, then stopped. It seemed
she would come no closer.
Stepping down from his mount, Kier let his horse drift away, so that he
came into full view of the mare. He stood square to her, focusing all
his attention on her now. He raised his arm and pointed at her and began
chanting loudly in Tilok.
The mare pawed and snorted. She backed away at first. But after a minute,
she turned sideways, flicked an ear, then released a breathy squeal of
pain. Another contraction came hard. The moment the mare flicked the ear
down, Kier's chanting grew softer, and he turned sideways to her as if
singing to the horizon-as if he were ignoring her.
As the two horses with Kier calmed, the mare neighed, rolled her eyes,
and stepped closer. Now, she was perhaps twenty feet away. Seconds ticked
by. Wearily, she pawed the ground, wobbling as if she might go down. Whinnying
sounds followed breathy squeals in time with her contractions.
Kier's chanting grew louder again, and he once again turned squarely and
pointed at her, fixing his gaze on her. The mare threw her head and backed
up. Still Kier pressed her, even stepping forward, his arm locked, finger
aimed. Again she moved away, breathing hard, frightened, pitiful. Finally,
her ear cocked and she turned her flank broadside to Kier. He also turned
sideways, crooning softly, seeming once again to ignore her altogether.
To Jessie it seemed almost as if Kier were in a trance, unconcerned, unaware
of the emergency to his side. Then she noticed his feet; like the minute
hand on a clock, they moved in almost undetectable increments. The two
horses at his sides just naturally drifted with him. They were almost
to the mare when she closed the gap by taking two steps toward them. Kier
slipped the lariat off the saddle horn.
"God, this should be on TV," Jessie whispered. "What are the words?"
Claudie shook her head. "Some weird Tilok chant." She shook her head.
"As long as it works."
Now Kier moved to the mare, stroking between her eyes. His chant became
softer yet as, slowly, he moved to the side of her neck and slipped the
lasso over her head. With the rope around her, the mare seemed to calm
completely, as if she knew it was futile even to think of running. Gently,
Kier tugged her down into the snow so that she lay on her side. In an
instant, he was on his knees, stroking her neck and motioning the women
forward. Claudie came with the medical bag, while Jessie hung back, knowing
instinctively that it would not be good to crowd the injured mare.
With each contraction, Dawn let out an almost human groan. Now a third
of the way out of the womb, the glistening wet colt thrashed its forelegs
to aid in its own birth. It appeared a spindly, delicate thing as it came
through the stretched membranes.
Using large metal hemostats, which looked to Jessie like needle-nose pliers,
Kier set about probing the deep ugly wounds on the mare's neck. He pinched
off the larger blood vessels, all the while chanting to the horse. Next
he did the same with the fissurelike wound in her belly. Finally, he moved
to the colt and helped it slip from the birth canal.
Jessie watched his face while he worked, the calm concentration as his
hands constantly moved, touching the mare, stroking her as she released
her foal.
At last Kier looked to the women and nodded. Claudie breathed a sigh.
"I need to get back to the kids," she said. Then Jessie felt Claudie's
hand on her shoulder.
* * *
*
The Beginning
| Part 2 | Part
3 | Part 4 | Part 5
Part 6
Copyright 2002 David Dun, All Rights
Reserved.
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